The Rutgers Scholar, electronic journal, Undergraduate Education, undergraduate research
The Rutgers Scholar, electronic journal, Undergraduate Education, undergraduate research

Animation of a volumetric skeleton

Andres Martinez1* and Deborah Silver1
1Vizlab, CAIP Center, Rutgers University,
Piscataway, NJ 08855-1390

*Rutgers Undergraduate Research Fellow


This project is a part of a larger effort to animate the Visible Human Dataset, Figure 1which is available from the National Library of Medicine, National Institutes of Health, and consists of cryogenic slices of a human male. Each slice is 1024x1024 pixels, and there are 1024 slices. By using a commercial animation package, we have created complex movements for the Visible Human Dataset. The figure to left is an image of the Visible Human created by using volume rendering algorithms.


Standard computer graphics animation tools operate with polygonal models. These tools allow artists to simulate motion and provide stories for movies, television and video games. However, polygonal models represent only the boundary "shells" Figure 2of objects,so most of the models are hollow. A 3D dataset, such as the Visible Human Dataset, consists of the boundary and the interior. In our lab, we have developed a set of algorithms and a methodology which will allow the integration of volume models within standard computer graphics animation tools. To demonstrate our results, we have animated the largest and most complex volume model, the Visible Human Dataset. The algorithms developed also have potential use in medical visualization. The figure to left is an image of the Visible Human created by using volume rendering algorithms.


Standard computer graphics animation tools use "skeletons" to define animations. Generally, a polygonal model is Figure 3created and a skeleton defined. The skeleton is a line-like representation of the model with joints and limbs. The polygonal model is then "attached" to the skeleton, so that when motion is defined about a joint, the corresponding polygonal model moves as well (see below). The challenge is to create a "volumetric" skeleton which can be attached to all of the pixels (voxels) in a 3D dataset. This skeleton must then be imported into traditional tools to facilitate animation.The figure to the left shows the skeleton that served as the basis for animation.


Figure 4 We have defined a volume thinning procedure which creates a volumetric-skeleton. The skeleton has the special property of reconstructability, i.e. given this set of skeleton-nodes, the volume can be regenerated because it references the entire 3D data set. The figure on the right is a representation of the Visible Human Dataset using voxels. Voxels are tiny, discreet volumes used to represent three-dimensional space; voxels are three-dimensional analogues of the two-dimensional pixels seen on this screen.

Once the volumetric skeleton is computed, "joints" are chosen for animation.

Figure 5Figure 6 ¬ Skeleton representation in the volume package

Skeleton representation in the animation package ®

The skeleton is mapped on Biped Man, third-party software written Figure 7especially to run in Character Studio. Chacracter Studio is a plug-in for the professional animation package 3ds max from Discreet.

Figure 8Motion capture is the recording of human body movement (or other movement) for immediate or delayed analysis and playback. This technique is applied to the biped which animates the skeletal structure.

The skeleton is then exported and the volume is reconstructed and rendered by our Vizlab programs. Below is the finished Visible Human Dataset with an animated jumping rope sequence. Examples of animation based in part on the work done here can be downloaded from the web site. (Quicktime 4, compressed)

Figure 9


This project was done with the help of N. Gagvani of Vizlab, Rutgers University, New Brunswick, New Jersey.

Copyright 2001 by Deborah Silver
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